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Compared to the animation and the plot, the music seems to be inconsequential in watching an anime. I realized, however, how big a ‘little thing’ music is when I viewed the final scene of the final episode of the first season of Honey and Clover with the subtle playing of Waltz compared with the exact same scene but without the music in the first episode of the second season. I was moved to tears for most of the time whenever I heard the love ballad of Waltz playing as Takemoto finally discovered himself and what he was looking for. Somehow, without that love ballad, it simply became just another scene. That’s what I noticed with most good shows. They have great music. Honey and Clover isn’t excellent simply because it has an excellent plot and good animation – it also has very wonderful music. The combination of music from Suga Shikao, Suneo Hair and SPITZ often works for the enhancement of a scene, or a cascade of scenes. How Mayama forcefully and desperately took Rika to a cup of coffee in the rain just to show how much he loves her was certainly made better with the fast pace of Yoru wo Kakeru. (It was very fitting, too – the lyrics were a perfect fit with the scene.) To add another, more recent scene, take for example the call scene between Nomiya and Yamada near the midpoint of the third episode of H&C’s second season. Without the melancholic yet positive tone of Suga Shikao‘s Koko no Iru Koto, I doubt it would have pulled that scene off. The music that plaintively plays in the background simply reflects the sheer loneliness of two characters reaching for unrequited loves. Even now, thinking about it, it was (and still is) extremely jarring. (more…)

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~pururin puru pururin~

I seem to be very negative about NHK ni Youkoso!, which isn’t good in any show that I watch. Perhaps this is only my perspective, but I don’t want to observe the lives of depraved men: I have enough problems to deal with in my own life. It’s like Big Brother: characters are constrained within a house, and they have to deal with one another without exiting that house for some period of time. In this series, a Tsushiro Satou has to deal with himself, but this time, the exile from the real world is self-imposed: he is a hikkikomori. He thinks that everything is a conspiracy. (more…)