Compared to the animation and the plot, the music seems to be inconsequential in watching an anime. I realized, however, how big a ‘little thing’ music is when I viewed the final scene of the final episode of the first season of Honey and Clover with the subtle playing of Waltz compared with the exact same scene but without the music in the first episode of the second season. I was moved to tears for most of the time whenever I heard the love ballad of Waltz playing as Takemoto finally discovered himself and what he was looking for. Somehow, without that love ballad, it simply became just another scene. That’s what I noticed with most good shows. They have great music. Honey and Clover isn’t excellent simply because it has an excellent plot and good animation – it also has very wonderful music. The combination of music from Suga Shikao, Suneo Hair and SPITZ often works for the enhancement of a scene, or a cascade of scenes. How Mayama forcefully and desperately took Rika to a cup of coffee in the rain just to show how much he loves her was certainly made better with the fast pace of Yoru wo Kakeru. (It was very fitting, too – the lyrics were a perfect fit with the scene.) To add another, more recent scene, take for example the call scene between Nomiya and Yamada near the midpoint of the third episode of H&C’s second season. Without the melancholic yet positive tone of Suga Shikao’s Koko no Iru Koto, I doubt it would have pulled that scene off. The music that plaintively plays in the background simply reflects the sheer loneliness of two characters reaching for unrequited loves. Even now, thinking about it, it was (and still is) extremely jarring.
Aside from that, music isn’t a little thing with shows one doesn’t like much. For example, I think Haruhi Suzumiya’s good but overrated to many, but although the greatness of the show is a moot point to many, I think many would agree with its great music with songs like Bouken Desho Desho?, Hare Hare Yukai, God Knows, etc. I wouldn’t have had liked Haruhi at all if it didn’t have great music like that. That would be the same with NHK ni Youkoso!. Although I was very negative about its first episode, I have nothing but praise for its OP – it’s a fresh yet very ironic and paradoxical introduction to the anime itself (tone-wise and rhythm-wise) that it’s also a very good plot device to startle the audience with the plot of the anime (who would expect having anime with such bubbly and positive music like that to be a very dark comedy about recluses?). That music has also sold me to at least watching five episodes of that series despite my caustic comments about it (that generated some discussion, lol).
When you think about it, although music isn’t the be-all and the end-all of an anime show (the plot is), that little thing isn’t so little after all, right?
***
In case you guys wonder why I haven’t been updating recently, as I’ve said in my other posts (disjointedly and irrationally), I just failed an important exam, and I have another coming up tomorrow. If you could pray for me, I’d be really thankful. That’s the main reason why I haven’t been updating my Ergo Proxy posts. Writing the situational summary, taking the screenshots and then posting them over at ImageShack takes three hours of my time that I don’t really have right now. Writing opinions about different stuff doesn’t take as much time, but since I’ve thought of something like this right now, I just felt I had to write it. I hope you guys understand.
July 20, 2006 at 10:17 pm
NHK has the best music of the new season that i’ve seen thus far I’d say. Can’t remember why; just know that when I was watching it I was like “mmm tharrs some good music.”
Of course they say that a good score is one you don’t notice. But screw them coz I can multitask.
Also I notice that Blood+’s music is done by Hans Zimmer according to the credits.. and if that’s the Hans Zimmer I think it is, that’s kinda crazy.
July 20, 2006 at 11:58 pm
No way, NHK doesn’t have the best music. Coyote has the best. And in a visual medium like anime, how can music take priority over the visual aspects? Even music anime like Beck did not have its music greater than the plot or characters.
July 21, 2006 at 12:14 am
Of course music in anime is a huge thing. Look at what Kajiura Yuki’s done- she’s made countless semi-good/mediocre/crap shows watchable.
July 21, 2006 at 4:21 am
remember FLCL? who said music is a little thing…?
July 21, 2006 at 7:38 am
Music and character design are the biggest thing I look for when I watch an anime and the actual story takes a distant 3rd or 4th.
Like you, I gave the NHK anime some leeway mainly because of the music, for me more the insert songs than the OP. As for Hachikuro, music was huge for me. One of the shining aspects of the show for me. For me, music’s never been “a little thing”.
July 21, 2006 at 9:51 am
[just for those of you who can't wait, I got a rough synopsis of EP 19 on my blog
]
If music in anime was a little thing, there wouldn’t be so many Sony artists doing theme songs, nor would there be many soundtracks available on store shelves in Japan.
While there’s the possibility music can be overused in anime, other times when it does its job it suits or enhances the mood in certain scenes certain tracks appear in. Cowboy Bebop, Beck and FLCL are great examples.
It’s the same thing with movies and videogames. Music shows up when it needs to, er, when the Director says it should show up anyway. In the case of the ICO game, even silence is used effectively.
July 21, 2006 at 10:17 am
Eesh, how stupid of me…
.]
http://axl99.wordpress.com/
[I apologize for both the double post and the plug
NHK had a fun intro, I agree it’s a lil painful to look at especially in comparison with the manga. It’s off to a rocky start but I’ll try to stay optimistic, NHK has a great story after all.
July 21, 2006 at 1:16 pm
I have watched many shows solely because of music, .hack//roots is good example from that. Good OP and ED can cover lot of weak points and in that contrast story doesn’t matter much, mostly just make it less interesting.
July 21, 2006 at 1:27 pm
Hey, good luck with that exam! Kaya mo yan. ;p
I have to rewatch NHK because for the life of me I can’t remember the OP! But then I watched it very quickly. My bad. I’m still not sure I like this series, but I’ll watch a couple more eps before I decide whether or not to follow it.
I can’t say which of the musicians featured in HachiKuro are the best. You might say Yuki’s songs are good at reflecting the eccentricity of the characters; her OP for s2 had lyrics that fit the characters (particularly the “couples”) to a T. The Suga Shikao, Spitz, and Suneohair songs simultaneously happy, nostalgic, melancholy, and emotional at the same time! Episode 1 had me at Hachimitsu, lol. It was just such a brilliant touch and brought the episode, and the anime, to life for me and got me hooked. I’m still amazed by how the music can work so well in the context of this series, without sounding baduy or senti (which would have ruined the anime for me). I still haven’t gotten tired of it.
July 21, 2006 at 2:19 pm
Ánime music’s a tricky thing. It must be done to accentuate but not overwhelm the visual. I always remember how I felt Madlax’s OST was overscored. The action was nowhere as frantic as the music giving me this strange dichotomy.
On the other hand, the most memorable anime scenes are always accompanied by excellent scores. Case in point, Ensei in Mai HiME 08, Sukuwareru Kotori in Da Capo 21 for example and countless more.
Nevertheless, glad you are discovering more of the magic of anime music. All the best for your exams.
July 21, 2006 at 6:16 pm
I love atmospheric stuff. Music is one of the main elements that contributes towards it, may it be anime, movies, or video games. When everything blends in well, you can really tell in the end. An example of this? I think Monster or Texhnolyze…maybe. Definitely the latter, though. =)
July 22, 2006 at 11:06 pm
[...] I’ve seen a couple of music related posts around the blogging community before and thought about making a list but nothing ever materialized until today. A few days ago, actually, I almost made one thanks to Michael’s post, but seeing’s Hung’s list got the cogs moving. [...]
July 24, 2006 at 3:34 am
Agreed.
July 24, 2006 at 4:17 am
Posting again because this topic really interests me. I am a major anime OST fan although I haven’t explored as many animes as I would have liked (I have NO clue what everyone’s talking about when they dish around these animes. I’m used to bleach and naruto and stuff).
After watching Samurai Champloo, I was really intrigued by the japanese hiphop genre. At least the anime aspects. So I did some searching and couldn’t find much.
Some examples I can think of are Crystal Kay (Motherland), MINMI (Shinki no Uta), and COOLON (Canvas).
Afterall, one HAS to get tired of the high pitch japanese female lead singer yelling pop lyrics or male rockster screaming like armageddon. A low soul-full, hip hop, jazzy tune really catches the ear in anime.
July 24, 2006 at 5:44 am
I love Samurai Champloo’s OST. Who’s Theme is one of my perennial favorites. You may like Cowboy Bebop’s OST as well.
July 26, 2006 at 7:26 am
H&C OST.
Singlehandedly
.. Changed all of my music preferences =)
August 8, 2006 at 5:49 am
recent anime titles like H&C, Full Metal Panic: Fumoffu!, Paradise Kiss and Haruhi Suzumiya feature the most beautiful and catchiest J-Pop/Rock music today. i believe this is significant for anime culture in general, preserving the tradition of introducing a closely related but nonetheless disparate industry in another. i am ecstatic to discover how i can’t further imagine a more fulfilling kind of worship than i practice for anime (:
deny as we may, technology has molded the consciousness of man into that of episodic memories, most of which are proven to be incomplete with an absent sensual experience – and for this matter, incomplete without the aural experience of Music. Popular Film taught us how there should always be a soundtrack to any phenomenon, else it wouldn’t be as Pleasurable. MTV culture and AMV culture are testaments to this trend of thought (:
most marriages of visuals and music come in two ways: the visuals match the measured elements of the music (my favourite phenomenon: dance), and the music bending to the realistic rhythm of dialogues and motion (as found in the live piano accompaniments while watching silent movies in the first cinemas).
Hayao Miyazaki follows the first kind of coreography, as his films were sequenced for Joe Hisaishi’s music (most important example would be Miyazaki’s quintessential My Neighbor Totoro). Hideaki Anno, although being a confessed apprentice of Miyazaki, seldom follows the same vein. Shiro Sagisu wrote a revolutionary string-dominant soundtrack on various psychoanalytic themes (Vicarious experience, The Other, introspection, lots about depression and Jungian/Freudian concepts), just as Anno weaved their hauntingly beautiful allegorical imagery; though the music here mostly acts as mere reflection of the picture.
Yoko Kanno, Taku Iwasaki, Taro Iwashiro, Noriyuki Asakura and Yuki Kajiura: almost everyone of the great anime composers churns out music according to a certain mood requested by the director (for example, Shinichiro Watanabe simply tells Yoko Kanno to write a “romantic yet happy” song and Yoko plainly delivers (: ), and one might say that this could be seen as Excessive: two stand-alone forms of art, music and animation, expressing one thing. The word Excess, however, is on its way to extinction in this age of immediacy.
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November 13, 2006 at 10:01 am
i think all clamp’s anime’s music are great
November 3, 2008 at 3:34 am
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